Allston

Lorem ipsum dolor sit amet, vix ea veritus delectus. Ignota explicari.

a

Contact

231 East 22nd Street, Suite 23 New York NY 10010

Email: office.ny@ratio.com
Fax: +88 (0) 202 0000 001

Classical Architecture is not about Nostalgia; It is about embracing enduring principles

Our Philosophy

Since calling things beautiful in our modern society seems endlessly subjective, we replaced the word beautiful with Timeless. Timeless homes possess a near universal aesthetic appeal across time rooted in natural materials, simple massing, ordered design, and proper details.

Classical Architecture is not about Nostalgia; It is about embracing enduring principles

Our Philosophy

Since calling things beautiful in our modern society seems endlessly subjective, we replaced the word beautiful with Timeless. Timeless homes possess a near universal aesthetic appeal across time rooted in natural materials, simple massing, ordered design, and proper details.

Authenticity and Timelessness have common traits. Craftmanship is at the root of both

Authentic homes typically refer to the adherence we dedicate to a particular defined style-colonial, Georgian, Victorian, ect. Is our design in harmony with the design elements of that style. That results in an authentic home.

a
01

The meaning: Timelessness is beauty.

02

The foundation: Authentic homes that begin with craftsmanship.

The key to our Timeless Ethos

Homes look “dated” primarily due to three things:

Unnatural Materials age fast
Not Composing with Principles of Design
Homes Miss the Style They're Aiming for

Unnatural Materials
age fast

‘They don’t make it like they use to’ is incredibly true. When traditional natural materials age, they return to nature and maintain beauty in the process. When engineered materials age, their fakeness gets exposed quickly. As humans, we crave authenticity.

Acadian-Ruchti-Interior-Gallery-2
pattern-h4-img-1
/ Materials are important
English-Country-Old-Oaks-Interior-1
pattern-h4-img-1
/ Principles of Design

Not Composing with
Principles of Design

The most frequent mistake in the complex task of visual composition is putting too much ‘stuff’ on any given façade: too many window types, too many gables, too many materials, ect. Simplicity and order, balanced with well-proportioned details, resolves visually and is appealing.

Homes Miss the Style
They're Aiming for

Historically, styles are defined by their architectural language. How volume configurations, roof pitches, details, proportions and materials, all combine to create poetry in architecture. When we compromise a style’s language we no longer understand which dialect it’s speaking.

Farmhouse-Arlington-Interior-19
pattern-h4-img-1
/ Style They're Aiming for

“Classic architecture is a dialogue between the past and the present,
an eternal conversation that transcends time.”
Andrea Palladio 1508 -1580

The Allure of Historic Craftsmanship

Traditional architecture strikes a chord within us. When human touch, rather than machinery, molds a material, it’s palpable. The nuances and variations that traditional craftsmanship introduces breathe life and character into homes.

How to fuse traditional design in a modern context?

Fusing traditional architecture with modern living is one of the great challenges.

How to make ancient into modern?

By boiling down all traditional styles into their fundamental shared design principles, we can take elements of traditional design, the functional and social space planning needs of today and embed those design elements and principles properly into current homes and generate a new generation of timeless homes.

By distilling the fundamental shared design principles from various traditional styles, we can seamlessly infuse elements of traditional design into modern homes, effectively addressing the functional and social space planning requirements of today, thus yielding a fresh generation of timeless homes.

The Allure of Historic Craftsmanship

Traditional architecture strikes a chord within us. When human touch, rather than machinery, molds a material, it’s palpable. The nuances and variations that traditional craftsmanship introduces breathe life and character into homes.

How to fuse traditional design in a modern context?

Fusing traditional architecture with modern living is one of the great challenges.

How to make ancient into modern?

By boiling down all traditional styles into their fundamental shared design principles, we can take elements of traditional design, the functional and social space planning needs of today and embed those design elements and principles properly into current homes and generate a new generation of timeless homes.

By distilling the fundamental shared design principles from various traditional styles, we can seamlessly infuse elements of traditional design into modern homes, effectively addressing the functional and social space planning requirements of today, thus yielding a fresh generation of timeless homes.

Architectural Design Principles

Classical Architecture is a journey beyond nostalgia

If you break down your job to the most basic concepts, you’ll get the fundamental principles upon which your work-life relies. As architects and designers, we use our understanding of architectural design principles and elements of design to create functional, aesthetically pleasing, and timeless homes.

Emphasis

Emphasis is where the focal point of a design is and where the eye is drawn, using proportion, placement, color, and materials.

AXIS

Axis is an abstract or well-defined linear progression, which can be used to organize other forms and spaces.

SYMMETRY

Symmetry is using a well-defined center point, or line, to reflect and balance a design. In Architecture, this concept is a formula-driven compositional structure that could be linear, radial, or bilateral.

ASYMMETRY

Asymmetry is a counter concept to symmetry, relying on abstract strategies rather than formula-driven strategies to provide balance. The end result is a design that is sequential, amorphous, or what could be considered non-rational, yet still in balance.

BALANCE

Balance is the art of mixing classifications of weights, colors, texture, and objects to generate a sense of stability. Symmetry or asymmetry is often combined with balance to give more definition and character to a design.

DATUM

A datum is a line, shape, or form that anchors all of the forms or elements of a design in one space. The datum acts as a foundation and must be significant enough to support all of these forms or elements.

SPACE

Space is the defined volume between different elements. The manipulation of space can add or subtract from the design to create varying effects for aesthetic or functional purposes. This could include negative space or white space as well.

MOVEMENT

Movement is how the design leads a viewer’s eyes through the exterior and interior of a building composition, guided by patterns or other design elements. Any element of design can be used to accomplish this, including direction, colors, value, and proportions.

RHYTHM

Rhythm is the intentional variation of design elements that offer the viewer a sense of repeating visuals. This can be expressed through intervals, random, or gradated inflections that may increase or decrease in proportion with each repetition.

SCALE

Scale, similar to proportion, is the area or ever-changing size relationship between design elements in terms of ratios.

UNITY

Unity is a more complex principle—the harmony created by the rational balance between the built environment and the natural order. This could be anchored by a concept related to functional goals, or visual component for aesthetic purposes.

CONTRAST

Contrast is when different components of design are treated with varying levels of punctuation, emphasis, or highlight to accent a particular feature. Contrast can provide a deeper level of context to any design for aesthetic or functional purposes.

MATERIALS

Material includes the components of designs that engage the senses and form emotional responses to the way in which buildings are experienced and valued.

Emphasis

Emphasis is where the focal point of a design is and where the eye is drawn, using proportion, placement, color, and materials.

AXIS

Axis is an abstract or well-defined linear progression, which can be used to organize other forms and spaces.

SYMMETRY

Symmetry is using a well-defined center point, or line, to reflect and balance a design. In Architecture, this concept is a formula-driven compositional structure that could be linear, radial, or bilateral.

ASYMMETRY

Asymmetry is a counter concept to symmetry, relying on abstract strategies rather than formula-driven strategies to provide balance. The end result is a design that is sequential, amorphous, or what could be considered non-rational, yet still in balance.

BALANCE

Balance is the art of mixing classifications of weights, colors, texture, and objects to generate a sense of stability. Symmetry or asymmetry is often combined with balance to give more definition and character to a design.

DATUM

A datum is a line, shape, or form that anchors all of the forms or elements of a design in one space. The datum acts as a foundation and must be significant enough to support all of these forms or elements.

SPACE

Space is the defined volume between different elements. The manipulation of space can add or subtract from the design to create varying effects for aesthetic or functional purposes. This could include negative space or white space as well.

MOVEMENT

Movement is how the design leads a viewer’s eyes through the exterior and interior of a building composition, guided by patterns or other design elements. Any element of design can be used to accomplish this, including direction, colors, value, and proportions.

RHYTHM

Rhythm is the intentional variation of design elements that offer the viewer a sense of repeating visuals. This can be expressed through intervals, random, or gradated inflections that may increase or decrease in proportion with each repetition.

SCALE

Scale, similar to proportion, is the area or ever-changing size relationship between design elements in terms of ratios.

UNITY

Unity is a more complex principle—the harmony created by the rational balance between the built environment and the natural order. This could be anchored by a concept related to functional goals, or visual component for aesthetic purposes.

CONTRAST

Contrast is when different components of design are treated with varying levels of punctuation, emphasis, or highlight to accent a particular feature. Contrast can provide a deeper level of context to any design for aesthetic or functional purposes.

MATERIALS

Material includes the components of designs that engage the senses and form emotional responses to the way in which buildings are experienced and valued.